Pablo Picasso posters, prints and serigraphs
Pablo Picasso
Early Works - Picasso was recognized as an artistic prodigy at an early age. These works illustrate his technical capability at that stage of his career. However, he was not satisfied with the limited possibilities in such a traditional mode of representation. His constant, incessant striving for new means of expression is the primary lesson of Picasso's art. Blue Period - Shortly after moving to Paris from Barcelona, Picasso began to produce works that were suffused in blue. This particular pigment is effective in conveying a sombre tone. The psychological trigger for these depressing paintings was the suicide of Picasso's friend Casagemas. The Blue Period work is quite sentimental, but we must keep in mind that Picasso was still in his late teens, away from home for the first time, and living in very poor conditions. Rose Period - In 1905-6, Picasso's palette began to lighten considerably, bringing in a distinctive beige or "rose" tone. The subject matter also is less depressing. Here are the first appearances by the circus performers and clowns that will populate Picasso's paintings at various stages through the rest of his long career. Beginning of Cubism - In 1905-6, Picasso's palette began to lighten considerably, bringing in a distinctive beige or "rose" tone. The subject matter also is less depressing. Here are the first appearances by the circus performers and clowns that will populate Picasso's paintings at various stages through the rest of his long career. Analytical Cubism - By 1910, Picasso and Braque had developed Cubism into an entirely new means of pictorial expression. In the initial stage, known as Analytical Cubism, objects were deconstructed into their components. In some cases, this was a means to depict different viewpoints simultaneously; in other works, it was used more as a method of visually laying out the FACTS of the object, rather than providing a limited mimetic representation. The aim of Analytical Cubism was to produce a conceptual image of an object, as opposed to a perceptual one. At its height, Analytical Cubism reached levels of expression that threatened to pass beyond the comprehension of the viewer. Staring into the abyss of abstraction, Picasso blinked...and began to start putting the pieces of the object back together. Synthetic Cubism - In 1912, Picasso took the conceptual representation of Cubism to its logical conclusion by pasting an actual piece of oilcloth onto the canvas. This was a key watershed in Modern Art. By incorporating the real world into the canvas, Picasso and Braque opened up a century's worth of exploration in the meaning of Art. Some of the finest Synthetic Cubist work, both visually and conceptually, are the collages. I highly recommend the stimulating Picasso and Braque: A Symposium, published in association with the "Picasso and Braque: Pioneering Cubism" exhibition of 1992. The world's leading art scholars offer incisive essays and round table discussions of Cubism. This book changed my entire conception of what art really is. Between the Wars - The collaboration between Picasso and Braque was ended by the First World War. After the war, Picasso, reflecting society's disillusionment and shock with the technological horrors of the war, reverted to a Classicist mode of representation. At the same time, however, he was continuing to push Cubism into new paths. During the '30s Picasso became tangentially connected with the Surrealist movement. Although Andre Breton tried to recruit Picasso, he remained ultimately aloof from any school of art throughout his career. Picasso the Ledgend - By the late '30s, Picasso was the most famous artist in the world. He was called upon to depict the brutality of fascist aggression in the Spanish Civil War with his monumental "Guernica". Many other paintings from this period reflect the horror of war, but there is a consistent depiction of personal interest as well. The women in Picasso's life had a major impact on his artistic production, and some of the best examples are from this period. The Late Work - In the last two decades of his long career, Picasso produced more work than at any other time of his life. During this period, some works are not only dated by month and day, but with a numeral (I, II, III, etc.) indicating multiple works created that single day! This late period tends to be overlooked, but contains some of the finest of Picasso's paintings. Some critics maintain Picasso was creatively lazy at this point, but a close look at the work is very rewarding. He had achieved a level of effortless artistic expression that, I believe, has still not been fully appreciated after more than 25 years. Regardless of your position on Picasso's personal and artistic life, each of us can, in view of our own mortality, be awed by his final self-portrait. An early 20th-century school of painting and sculpture in which the subject matter is portrayed by geometric forms without realistic detail, stressing abstract form at the expense of other pictorial elements largely by use of intersecting often transparent cubes and cones. Cubism, highly influential visual arts style of the 20th century that was created principally by the painters Pablo Picasso and Georges Braque in Paris between 1907 and 1914. The Cubist style emphasized the flat, two-dimensional surface of the picture plane, rejecting the traditional techniques of perspective, foreshortening, modeling, and chiaroscuro and refuting time-honoured theories of art as the imitation of nature. Cubist painters were not bound to copying form, texture, colour, and space; instead, they presented a new reality in paintings that depicted radically fragmented objects, whose several sides were seen simultaneously. The art of painting original arrangements composed of elements taken from conceived rather than perceived reality. -- Guillaume Apollinaire, The Beginnings of Cubism, 1912. After Cubism, the world never looked the same again: it was one of the most influential and revolutionary movements in art. The Spaniard Pablo Picasso and the Frenchman Georges Braque splintered the visual world not wantonly, but sensuously and beautifully with their new art. They provided what we could almost call a God's-eye view of reality: every aspect of the whole subject, seen simultaneously in a single dimension. The Cubist movement in painting was developed by Picasso and Braque around 1907 and became a major influence on Western art. The artists chose to break down the subjects they were painting into a number of facets, showing several different aspects of one object simultaneously. The work up to 1912 is known as Analytical Cubism, concentrating on geometrical forms using subdued colors. The second phase, known as Synthetic Cubism, used more decorative shapes, stencilling, collage, and brighter colors. It was then that artists such as Picasso and Braque started to use pieces of cut-up newspaper in their paintings. Cubism in GeneralCubism began with artists Pablo Picasso and Georges Braque, after the creation of Picasso's 1906-1907 painting "Les Demoiselles d'Avignon" (Young Ladies of Avignon). The term cubism derived its name from comments made by painter Henri Matisse and critic Louis Vauxcelles, who described Braque's 1908 work "Houses at L'Estaque" as looking rather like a bunch of cubes. Cubism can be defined as either analytical or synthetic. Analytical cubism occurred between 1908 and 1912, when Braque and Picasso were becoming terribly aware of the space found around and inside an object. In an analytical cubist painting, the object was "taken apart" and reshaped with the use of flat intersecting planes. The Synthetic Cubism stage occurred from 1912 to 1913. A Synthetic Cubist work had bits of real objects worked into the picture. Items like newspaper clippings, rope and other "found objects" were attached to the canvas. This was the beginning of a "flimsy sculpture" known as Collage. Movements such as Futurism, Constructivism and DeStijl were all outgrowths of Cubist theory and practice. Important Works: Les Demoiselles d'Avignon, Pablo Picasso Houses at L'Estaque, Georges Braque Important Artists (selected list): Braque, Georges Picasso, Pablo Mondrian, Piet (Neo-Plasticism: 1917-1944) Juan Gris Fernand Leger Georges Braque Type of Work: Painting Born:1882 Died:1963 Nationality: French Style/Movement:Fauvism;Cubism Best Known For:Co-Founding the Cubist movement with Pablo Picasso Important Works:Large Nude, 1907-1908 Woman with a Mandolin, 1937 Bio: Georges Braque and Pablo Picasso were the artists behind the Cubist art movement. In his younger years, Braque worked as an apprentice in a decorator's studio where he learned the tricks of the trade. He studied at L'Ecole des Beaux-Arts in Paris but was more content to work on his own with little direction. He moved from fauvism to cubism after spotting some of Picasso's work which appealed to him tremendously. Braque and Picasso succeeded in their attempts to create a revolutionary new art form. They let the art world know and see that several points of view of an object could be viewed at one time. In addition, they put forward the idea of spatial reconstruction and they expressed perfectly the idea that even though depth could be "faked", painting is in fact a 2-dimensional art form. Resources: Cubism The Reconstruction of Space. Pablo Picasso was probably the most famous artist of the twentieth century. During his artistic career, which lasted more than 75 years, he created thousands of works, not only paintings but also sculptures, prints, and ceramics, using all kinds of materials. He almost single-handedly created modern art. He changed art more profoundly than any other artist of this century. First famous for his pioneering role in Cubism, Picasso continued to develop his art with a pace and vitality comparable to the accelerated technological and cultural changes of the twentieth century. Each change embodied a radical new idea, and it might be said that Picasso lived several artistic lifetimes. Picasso was born on October 25, 1881, in Malaga, Spain, son of an artist, Jose Ruiz, and Maria Picasso. Rather than adopt the common name Ruiz, the young Picasso took the rarer name of his mother. An artistic prodigy, Picasso, at the age of 14, completed the one-month qualifying examination of the Academy of Fine Arts in Barcelona in one day. From there he went to the Academy of San Fernando in Madrid, returning in 1900 to Barcelona, where he frequented the city's famous cabaret of intellectuals and artists, Els Quatre Gats. The years of 1901 to 1904, known as the "blue period" because of the blue tonality of Picasso's paintings were a time of frequent changes of residence between Barcelona and Paris. During this period, he would spend his days in Paris studying the masterworks at the Louvre and his nights enjoying the company of fellow artists at cabarets like the Lapin Agile. 1905 and 1906 marked a radical change in color and mood for Picasso. He became fascinated with the acrobats, clowns and wandering families of the circus world. He started to paint in subtle pinks and grays, often highlighted with brighter tones. This was known as his "rose period." In 1907, Picasso painted "Les Demoiselles d'Avignon," considered the watershed picture of the twentieth century, and met Georges Braque, the other leading figure of the Cubist movement. Cubism was equally the creation of Picasso and Braque and from 1911 to 1913, the two men were in frequent contact. In 1917, Picasso did the set and costume design for Serge Diaghilev's ballet "Parade." For Picasso the 1920's were years of rich artistic exploration and great productivity. Picasso continued to design theater sets and painted in Cubist, Classical and Surreal modes. From 1929 to 1931, he pioneered wrought iron sculpture with his old friend Julio Gonzalez. In the early 1930's, Picasso did a large quantity of graphic illustrations. In late April of 1937, the world learned the shocking news of the saturation bombing of the civilian target of Guernica, Spain by the Nazi Luftwaffe. Picasso responded with his great anti-war painting, "Guernica." During World War II, Picasso lived in Paris, where he turned his energy to the art of ceramics. From 1947 to 1950, he pursued new methods of lithography. The l950's saw the beginning of a number of large retrospective exhibits of his works. During this time he began to a paint a series of works conceived as free variations on old master paintings. "
In the 1960's, he produced a monumental 50-foot sculpture for the Chicago Civic Center. In 1970, Picasso donated more than 800 of his works to the Berenguer de Aguilar Palace Museum in Barcelona.
Pablo Picasso died on April 8, 1973 in Mougins, France at the age of 91.
Old Guitarist
by Pablo Picasso
Hand with Bouquet
by Pablo Picasso
Dance of Youth
by Pablo Picasso
Nature Morte
by Pablo Picasso
The Dog (embossed & on special p...
by Pablo Picasso
Blue Nude
by Pablo Picasso
Don Quixote
by Pablo Picasso
The Dream
by Pablo Picasso
Violin and Guitar
by Pablo Picasso
Le Repos
by Pablo Picasso
Guernica
by Pablo Picasso
Three Musicians
by Pablo Picasso
War and Peace (embossed)
by Pablo Picasso
The Blue Nude (Seated Nude)
by Pablo Picasso
The Old Guitarist
by Pablo Picasso
Guernica (on special paper)
by Pablo Picasso
Bullfight III - Picador
by Pablo Picasso
Girl Before a Mirror
by Pablo Picasso
The Dream
by Pablo Picasso
Guernica, 1937
by Pablo Picasso
The Three Musicians
by Pablo Picasso
Maternity
by Pablo Picasso
La Joie de Vivre (on special paper)
by Pablo Picasso
Violin and Guitar
by Pablo Picasso
Violin and Guitar
by Pablo Picasso
Les Demoiselles d`Avignon
by Pablo Picasso
Don Quixote
by Pablo Picasso
Dove with Flowers
by Pablo Picasso
Femme a la Fleur 1932
by Pablo Picasso
Guernica
by Pablo Picasso
Bullfight II - Matador
by Pablo Picasso
Pigs
by Pablo Picasso
Mother and Child and Four Sketch...
by Pablo Picasso
Nature Morte
by Pablo Picasso
The Camel (embossed & on special...
by Pablo Picasso
Guernica, 1937
by Pablo Picasso
Woman/Flower, 1946
by Pablo Picasso
Two Girls Reading, 1934
by Pablo Picasso
Woman with Book
by Pablo Picasso
Violin and Guitar
by Pablo Picasso
Maternity
by Pablo Picasso
Three Musicians
by Pablo Picasso
Girl Before a Mirror, 1932
by Pablo Picasso
Woman at a Window
by Pablo Picasso
La Lecture, 1934
by Pablo Picasso
Blue Nude, 1902
by Pablo Picasso
Femme au Pigeon
by Pablo Picasso
Jacqueline aux Mains Croisees
by Pablo Picasso
Colombe Avec Fleurs
by Pablo Picasso
Large Still Life with Pedestal T...
by Pablo Picasso
Corrida
by Pablo Picasso
L`Acrobate
by Pablo Picasso
Trilogy
by Pablo Picasso
The Owl (embossed & on special p...
by Pablo Picasso
Dove of Peace
by Pablo Picasso
Nu de Dos
by Pablo Picasso
Bullfight 4 - Stabbing Bull
by Pablo Picasso
Paysage Mediterraneen
by Pablo Picasso
Still Life on a Pedestal Table
by Pablo Picasso
Joy of Living
by Pablo Picasso
Bullfight 1 - Horse Air
by Pablo Picasso
Evening Flowers
by Pablo Picasso
Dora Maar
by Pablo Picasso
Cannes A.M.
by Pablo Picasso
Main Aux Fleurs
by Pablo Picasso
The Lovers (Petite)
by Pablo Picasso
Portrait of Olga Picasso and Son
by Pablo Picas
Femme Devant Miroir
by Pablo Picasso
Bathers
by Pablo Picasso
The Three Musicians
by Pablo Picasso
Violin and Guitar
by Pablo Picasso
Paulo on a Donkey
by Pablo Picasso
Old Guitarist
by Pablo Picasso
Woman in a Hat
by Pablo Picasso
Baigneuse Assis au Bord de la Me...
by Pablo Picasso
Baigneuse, 1928
by Pablo Picasso
Piano (serigraph on special paper)
by Pablo Picasso
Guernica, 1937
by Pablo Picasso
Interior with a Girl Drawing
by Pablo Picasso
Dora Maar
by Pablo Picasso
Still Life on a Pedestal Table
by Pablo Picasso
Reclining Woman with Blond Hair,...
by Pablo Picasso
Three Musicians
by Pablo Picasso
King Kagpha
by Pablo Picasso
La Lecture (Woman Reading)
by Pablo Picasso
Maisonette Dans un Jardin
by Pablo Picasso
Twentieth Century Art Masterpiec...
by Pablo Picasso
Le Taureau (serigraph)
by Pablo Picasso
La Muse
by Pablo Picasso
Femme au Balcon 1937
by Pablo Picasso
Deux Femmes Courant sur la Plage
by Pablo Picasso
Claude Dessinant, Francoise et P...
by Pablo Picasso
Dance of Youth
by Pablo Picasso
Weeping Woman
by Pablo Picasso
The Face of Peace
by Pablo Picasso
Toros y Toreros III
Woman with a Blue Hat
Guitare sur une Table
by Pablo Picasso
The Pigeons
by Pablo Picasso
Fruit Dish
by Pablo Picasso
Mother and Child
by Pablo Picasso
Two Friends
by Pablo Picasso
Nude Woman in a Red Armchair
by Pablo Picasso
Woman Asleep (serigraph on speci...
by Pablo Picasso
The Old Guitarist, 1903
by Pablo Picasso
Femme Aux Pigeons
by Pablo Picasso
Bather with Beach Ball
by Pablo Picasso
Head, 1946 (serigraph on special...
by Pablo Picasso
Laying Nude and Musician
by Pablo Picasso
Portrait of Dora Maar
by Pablo Picasso
The Lovers
by Pablo Picasso
Dora Maar Seated
by Pablo Picasso
La Joie de Vivre
by Pablo Picasso
Femme a la Fleur 1932
by Pablo Pica
L Italienne 1917
by Pablo Picasso
Guernica, 1937
by Pablo Picasso
Fleurs et Mains
by Pablo Picasso
Long Live Peace
by Pablo Picasso
The Face of Peace
by Pablo Picasso
The Studio
by Pablo Picasso
Chat Saisissant un Oiseau
by Pablo Picasso
Paul en Costume de Pierrot
by Pablo Picasso
Mother & Son
by Pablo Picasso
Paul en Arlequin
by Pablo Picasso
Portrait of a Harlequin
by Pablo Picasso
War and Peace (serigraph on spec...
by Pablo Picasso
Tete Dune Femme Lisant
by Pablo Picasso
Seated Woman, 1927
by Pablo Picasso
Face - Dove
by Pablo Picasso
Hands with Bouquet
by Pablo Picasso
Colombe Avec Fleurs
by Pablo Picasso
Blue Dove (offset on special paper)
by Pablo Picasso
Femme Lisant
by Pablo Picasso
Aubade 1942
by Pablo Picasso
Musketeer and Cupid
by Pablo Picasso
L`Atelier
by Pablo Picasso
Permission Vega Spadem
by Pablo Picasso
Dora Maar Seated
by Pablo Picasso
The Bullfight
by Pablo Picasso
Bathers, 1918
by Pablo Picasso
Two Ladies Sitting at a Bar, 1902
by Pablo Picasso
Nu de Dos Aux Bras Leves
by Pablo Picasso
L`Autruche
by Pablo Picasso
Toros y Toreros (offset on speci...
by Pablo Picasso
Dora Maar
by Pablo Picasso
Family of Saltimbanques
by Pablo Picasso
Child Holding a Dove
by Pablo Picasso
Nu De Dos
by Pablo Picasso
Still Life with Mandolin, 1923
by Pablo Picasso
Corrida, 1960
by Pablo Picasso
Interior with Blue Chair
by Pablo Picasso
Two Women Running on the Beach
by Pablo Picasso
Still Life with Biscuits
by Pablo Picasso
Paul en Pierrot
by Pablo Picasso
Etude Pour Yuri Gagarin (serigra...
by Pablo Picasso
Nature Morte `A La Charlotte
by Pablo Picasso
Femme Ecrivant
by Pablo Picasso
Fleurs et Mains
by Pablo Picasso
The Lovers
by Pablo Picasso
Woman in an Armchair
by Pablo Picasso
Vive la Paix
by Pablo Picasso
Femme Couchee, 1931
by Pablo Picasso
Head of a Woman
by Pablo Picasso
The Table in Front of the Window
by Pablo Picasso
The Pigeons
by Pablo Picasso
Woman in Mirror
by Pablo Picasso
L`enfant a la Colombe
by Pablo Picasso
Sitting Nude
by Pablo Picasso
Femme au Balcon 1937
by Pablo Picasso
Femme au Pigeon
by Pablo Picasso
The Vase
by Pablo Picasso
La Petite Colombe (serigraph)
by Pablo Picasso
Cote d`Azur
by Pablo Picas
La Ronde
by Pablo Picasso
Dove of Peace (serigraph)
by Pablo Picasso
Femme a la Fesille
by Pablo Picasso
La Liseuse
by Pablo Picasso
La Lectrice
by Pablo Picasso
10x12 Fine-Art Print
Toros Y Toreros
by Pablo Picasso
24x32 Fine-Art Print
La Danse
by Pablo Picasso
40x20 Fine-Art Print
L`atelier de Cannes
by Pablo Picasso
24x32 Fine-Art Print
Femme au Jardin
by Pablo Picasso
16x20 Fine-Art Print
Les Pigeons
by Pablo Picasso
Harlequin with Folded Hands
by Pablo Picasso
Portrait de Nusch Eluard
by Pablo Picasso
Portrait de Marie-Therese, 1937
by Pablo Picasso
Deux Femmes Assises a un Bar
by Pablo Picasso
The Red Armchair
by Pablo Picasso
Femme a la Cruche (serigraph on ...
by Pablo Picasso
Reclining Woman
by Pablo Picasso
The Pigeons, Cannes, 1957
by Pablo Picasso
Femme Nue Allongee, 1955
by Pablo Picasso
Sur la Plage, 1961
by Pablo Picasso
Jacqueline with her Hands Crossed
by Pablo Picasso
Two Women Running on the Beach
by Pablo Picasso
Portrait de Dora Maar
by Pablo Picasso
Carnet ''Toros y Toreros'' (offs...
by Pablo Picasso
Bullfight II - Matador
by Pablo Picasso
Woman in Garden
by Pablo Picasso
Paul en Costume de Pierrot, 1929
by Pablo Picasso
Olga in an Armchair
by Pablo Picasso
Figure Stylisee (serigraph on sp...
by Pablo Picasso
Femme et Enfant
by Pablo Picasso
Drinking Minotaur and Reclining ...
by Pablo Picasso
La Couronne de Fleurs
by Pablo Picasso
Bacchanale (serigraph)
by Pablo Picas
Paul en Pierrot
by Pablo Picasso
Femme Avec Retine Dans
by Pablo Picasso
Femme a l`Oiseau
by Pablo Picasso
Etudes
by Pablo Picasso
Veil Homme Assis Mougins 1970
by Pablo Picasso
Sitting Woman with Green Scarf
by Pablo Picasso
Young Woman and Mandolin
by Pablo Picasso
Le Visage de la Paix (serigraph ...
by Pablo Picasso
Dove of Peace - Sun
by Pablo Picasso
Flute Player
by Pablo Picasso
Natura Morte
by Pablo Picasso
Trois Nus
by Pablo Picasso
Le Petit Cochon
by Pablo Picasso
Los Pichones
by Pablo Picasso
Composition au Verre
by Pablo Picasso
Family of Saltimbaniques
by Pablo Picasso
Two Women Running on the Beach
by Pablo Picasso
Visage de la Paix (serigraph)
by Pablo Picasso
Modele Et Grande Tete Sculptee, ...
Le Chasseur Abstrait
by Pablo Picasso
Baigneuse Assis au Bord de la Me...
by Pablo Picasso
Head of a Woman with Chignon
by Pablo Picasso
The World Without Weapons (offse...
by Pablo Picasso
New Year
by Pablo Picasso
Painter and Model
by Pablo Picasso
Femme Devant Miroir
by Pablo Picasso
Bullfight III - Picador
by Pablo Picasso
Woman with Fan, 1905
by Pablo Picasso
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